![]() Although the lyrics are quite cheesy, the song builds up from calm to very loud. Not quite as good as the last few songs, Loverman still holds its own as a decent song. After only a couple minutes the song is over but leaving you thirsty for more. Maybe its just the recording quality, but Metallica's version is much more explosive. I personally enjoy this version more than the Misfits. This is a great song for getting your aggression out. 4/5īegins with a high hat 8 count and explodes into heavy riffs and pissed off lyrics. Since the song is relatively simple with only about 3 powerchords, the song really lets Hetfields voice shine. Metallica's version is done with heavy powerchords, the lead guitar replacing the saxophone, and an upbeat not as depressing mood. The original song which was written by Bob Seger was done with a quiet clean guitar, saxophone, and a general calm and depressing mood. This was one of the singles from the album. Awesome song, really shows how genius both Black Sabbath and Metallica are. After a couple minutes of A National Acrobat its back to Sabbra Cadabra for the end of the song. With bluesy riffs, dark lyrics, and plenty of the wah pedal. This song is far different from the first. After a couple minutes of Sabbra Cadabra, Metallica switches it up to A National Acrobat. Hetfields voice is at its best during this one. Extremely catchy and non cliche for a love song. After that the lead guitar explodes into an awesome lead which leads us into the very. The song starts off with a very catchy classic rock riff followed by a montouge of wah. This song is actually a medly of the Black Sabbath songs Sabbra Cadabra and A National Acrobat. The chorus isnt very catchy, but who cares, this is rock, not pop. The vocal melody in the verse is very catchy and will have you singing it for days. Heavy powerchords mixed with Hetfields voice makes this song a great driving song. This is an awesome "feel good" rock song. The song starts off with a bang but never delivers. Remastered by George Marino at Sterling Sound.For such a great album, this is a very weak intro. In Sausalito, California, in December 1995. Recorded live direct to two-track at The Plant Studios Recorded in 1991 in Los Angeles, California. Roughly produced by Bob Rock with Hetfield and Ulrich. Recorded in 1990 in Berkeley, California. Recorded in 1988 in Los Angeles, California. Recorded in 1984 in Sausalito, California.Įngineered by Mike Clink and Toby "Rage" Wright. Recorded in 1987 in Los Angeles, California. Track 10 was recorded on December 18th, 1997 during the "Don't Call Us, We'll Call You" radio broadcast on KSJO. Mastered by George Marino at Sterling Sound. Recorded and mixed in September and October, 1998 at The Plant Studios in Sausalito, California (except track 10). Somewhat produced by Bob Rock with Hetfield & Ulrich.Īssisted by Kent Matcke, Leff Lefferts, and Chris Manning.ĭigital Edits by Paul DeCarli and Mike Gillies. On disc 1, "The More I See" ends at 03:23, and after a period of silence there is a short segment of the Robin Trower song "Bridge of Sighs".įront cover photography and of the booklet by Anton Corbijnīack cover photography of original sleeve by Ross HalfinĪdditional photography by Ross Halfin and Mark Leialoha Originally “Whiskey In The Jar” is a traditional Irish folk song, though Metallica’s rendition of it is largely based on the Thin Lizzy version of the song. "Mercyful Fate" is a medley of the songs "Satan's Fall", "Curse of the Pharaohs", "A Corpse Without Soul", "Into the Coven", and "Evil". "Sabbra Cadabra" also covers part of the Black Sabbath song, "A National Acrobat". The album line-up section is the musicians from the newly recorded songs on disc 1. The songs on disc 1 are newly recorded, while disc 2 is gathered from previous recordings. Guitars (lead) (CD1 track 9), Vocals, Guitars (rhythm)Ī collection of cover songs. Too Late, Too Late (Motörhead cover) (live) Stone Dead Forever (Motörhead cover) (live) Loverman (Nick Cave and the Bad Seeds cover)Ĭrash Course in Brain Surgery (Budgie cover) Free Speech for the Dumb (Discharge cover) ![]()
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